Roborock S7 MaxV Ultra

A personal CGI study of the Roborock S7 MaxV Ultra and its dock, modeled in Blender and lit across dark, orange and clay sets.

Brand
Roborock
Year
2024
Role
Hard-surface modeling, look development, lighting, rendering
Tools
  • Blender
Roborock S7 MaxV Ultra, hero image

Overview

A personal hard-surface study of the Roborock S7 MaxV Ultra robot vacuum and its docking station. I modeled both in Blender and rendered them as a short 4:5 film and fifteen portrait stills, moving from macro details to full product shots.

The challenge

A robot vacuum is mostly a black disc, which gives the camera very little to hold on to. The job was to make it read as a premium object: separate black plastic from black plastic, keep small details like the lidar turret, vents and tank icons legible, and give a household appliance some atmosphere.

Approach

  1. I modeled the robot and dock as hard-surface assets in Blender, down to the vented lidar turret, the bumper grilles and the clean and dirty water tank lids with their drop icons.
  2. For the main set I kept everything near-black and let the lighting do the separation. Striped shadows rake across the dock and the gloss panels pick up soft highlights, while Roborock's orange accents and a few monstera leaves bring in the color.
  3. A second set swaps the dark room for a warm orange backdrop pulled from those same accents. Out-of-focus leaves in the foreground add depth to the closer shots.
  4. I finished with a white clay pass that strips out color and gloss, so the forms and the light can be read on their own.

Film

The robot and dock in motion

Dark set

Black on black, separated by light

Striped shadows and soft highlights keep the black plastics apart. The orange accents carry the color.

Orange set

A warm backdrop from the accent color

Same model, new room. Foreground leaves add depth and soften the frame.

Clay pass

Form and light, no materials

A white clay pass shows the modeling and the lighting without color or gloss.

Outcome

A short 4:5 film and fifteen portrait stills across three looks: a dark studio set, an orange set and a clay pass. It stands as a hard-surface and product lighting study in my portfolio.